The Indian Pictorialist: Dhirajlal R. Mody (1910-1990)
by Mekhala Singhal
The introductory chapter in Henry Peach Robinson’s Pictorial Effect in Photography, from which the Pictorialist movement gets its name, states, “It has often been asserted that the artist, like the poet, is born, not made…” [1]
There are decades of writing which argue both for and
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