Critical Collective is an initiative by art curator and critic Gayatri Sinha. Critical Collective works towards building knowledge in the arts in India. Since its inception in 2011, it has collaborated closely with institutions in India and abroad to create exhibitions and seminars on art. In order to take is activities on a larger scale; Critical Collective created This website is intended to fill in the lacuna caused by an absence of publishing in the arts, a lack of reprints and a shortage of institutional infrastructure to support knowledge in the domain of the arts.

Although India can boast of a history of outstanding Indological research and publication from the early 19th century, the present scenario in writing on the visual arts is bleak. Major texts on Indian art history, aesthetics, iconography, modern and contemporary art lapse from the public sphere once they are out of print. Very few new studies or anthologies are commissioned.

The website,, is based on the need for concerted editing and preservation of writing on the visual arts in India. The website is also designed to address different categories which have virtually no significant writing at present, such as lens based practices, video and photography. As repositories holding rare books on art shrink, there is a real concern around the loss of knowledge in the domain of the arts. This is underscored by the fact that the departments in the arts and humanities are increasing rapidly.


i. Provide discourse on Indian visual arts by providing accessibility to recent history and developments in Indian visual arts

ii. Make available the forgotten and lesser known histories of Indian visual arts in order to locate their contemporaneity

iii. Make available new ways of interpreting visual arts in India for the current and future generation

Advisory Board

Abhay Sardesai

Abhay Sardesai has been the Editor of ART India, the premier art magazine of India, since November 2002. He has been a Visiting Faculty in Aesthetics at the Department of English, University of Mumbai, and has also been the Chair of Humanities, Kamla Raheja Vidyanidhi Institute of Architecture, Mumbai. He teaches at the Smt. P. N. Doshi Women’s College of Arts and also at various other institutions like Jnanapravaha and TISS.

Parul Dave Mukherji

Parul Dave-Mukherji is professor at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi. She holds a PhD in Indology from Oxford University. Her current research interests include global art history, contemporary Asian art and comparative aesthetics.


Gayatri Sinha
Gayatri Sinha is a critic, editor and curator who works in the domains of gender, lens-based art, and cultural politics.

She has edited Voices of Change: 20 Indian Artists (Marg 2010), Art and Visual Culture in India 1857- 2007 (Marg Publications, 2009); Indian Art: an Overview (Rupa Books, 2003); Woman/Goddess (1998); Expressions and Evocations: Contemporary Indian Women Artists of India (Marg Publications, 1996]. She has written monographs on the artists Krishen Khanna and Himmat Shah. As a curator, she has worked within museums and institutions in India and abroad including the Vancouver Art Gallery, National Gallery of Modern Art, the National Museum, the Bhau Daji Lad Museum, the Grand Curtius and Musee Ansembourg Belgium, the Newark Museum and Minneapolis Institute of Art, in the USA, the Fotographie Forum Frankfurt, among others. She has lectured in Tate Britain, MoMA New York, Aarken Museum Denmark, The Rockbund Shanghai, NYU, Duke University and several other institutional spaces.

Since 2011, she has directly supported knowledge in the arts through her initiative Critical Collective, which is the first such art archive and news magazine on Indian art.

In 2017, she received the Tate Asia research fellowship grant. She is currently editing a volume on Modern and Contemporary Photography.

Mrinalini Vasudevan, Copy Editor
Mrinalini has a background in English Literature from Jadavpur University, Kolkata, and Arts and Aesthetics from Jawaharlal Nehru University, New Delhi. She has previously worked as copywriter with Bates, Kolkata, and as an editor with Orient BlackSwan, Kolkata, and The Marg Foundation,Mumbai.

Namrata Ghosh
Namrata Ghosh has an M. Phil from The Centre for Studies in Social Sciences, Calcutta, a Masters in History from Delhi University and a Bachelor’s degree in History from St. Stephen’s College, New Delhi. Her area of interest includes visual and material cultures, photographic practices, socio-cultural histories, popular memory and museum studies.

Umara Zainab
Umara Zainab has a background in History, with a Masters in Modern History from Jawaharlal Nehru University. She has previously worked as a researcher for a project, under the Institute of Development Studies, on questions of gender and religion in India. Her research interests include looking at print culture, book histories, gender, sexuality, and historiography.

Sweta Singh
Sweta Singh completed her bachelors and masters degrees from Benaras Hindu University in the History of Art. Her areas of interest include modern art, and the architectural history of Eastern Utter Pradesh, especially in and around Varanasi.

Sohorpem Kazingmei
Sohorpem Kazingmei has a masters degree from the School of Arts and Aesthetics, JNU, and recently assisted in the student Biennale at Kochi , 2022.

Sanket Jadia
Sanket Jadia is an artist & graphic designer based in Delhi. He is the recipient of Inlaks Fine Arts Award (2017) and was featured in Forbes 30 under 30 (2020).

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