Silent Seasons: A Review
Gayatri SinhaBuilding on her previous engagements with environmental change and the age of the anthropocene, Vibha Galhotra's latest work foregrounds an apocalyptic vision of the plight of the last man standing.

25 Jan 2023 | Review

A Review of Postcards from Home
Bharati ChaturvediThrough her on project, Manisha Gera Baswani documents stories of Partition from artists who trace their roots to India and Pakistan.

25 Jan 2023 | Review

On Nature and Abstraction: An Interview with Ganesh Haloi
Namrata GhoshThe artist talks about how his early life and experiences greatly influenced his practice.

25 Jan 2023 | Interview

Media / Materiality / Comics: Conversations with Three Graphic Artists
Arunava BanerjeeThe author interviews three artists on the potential of comics to generate different trajectories for art, media and reportage.

25 Jan 2023 | Interview

Kochi Biennale.. a decade later, a work in progress?
Gayatri SinhaThe recent storm within the Kochi Muziris Biennale raises the question, is the event too big to fail?

20 Dec 2022

Kochi Student Biennale, 2022
Sohorpem KazingmeiThe 2022 Kochi Students’ Biennale finds itself in the throes of ‘process’. Where does it lead?

20 Dec 2022 | Review

The Opening of the Museum of Art and Photography (MAP): Interview with L N
Gayatri SinhaAltering the museum skyline in Bengaluru, MAP draws on a rich personal collection to stage new narratives in art history.

20 Dec 2022

how many songs from a single note?
Shaunak MahbubaniShaunak Mahbubani interviews artist, Rah Naqvi about her recently closed exhibition, how many songs from a single note?

20 Dec 2022 | Interview

Sheetal Gattani: Flying Below the Radar, with 50 Layers of Pigment
Gayatri SinhaThe haptic processes that Gattani employs on painted surfaces lend her work a tantalizing depth and luminosity.

24 Nov 2022

Stories of Resistance from the Margins: Bani Abidi’s The Song
Shaon BasuAbidi's new body of work speaks of global dispossession and homelessness, and the toxic masculinity at the heart of the crisis.

24 Nov 2022 | Review

What’s Going Wrong with Thanjavur’s Chola and Maratha Legacies?
Even as cinema screens light up to Chola supremacy, their material heritage needs urgent attention.

24 Nov 2022 | Report

Drawing Dissent: The Evolution of Editorial Cartooning in India
Neha YadavWith their potential to speak truth to power, political cartoons in the print media represent the last stand in a severely compromised media landscape.

22 Nov 2022 | Essay

A Great Friend of India: Robert Skelton (1929-2022)
Gulammohammed SheikhFrom their first meeting at the V&A in the 1960s, Gulam Sheikh reminisces about the legendary museum curator and scholar of Indian art, with whom he shared a six-decade-long friendship.

25 Oct 2022

Reimagining the Mahad Satyagraha in the Age of Google Maps
Pawanpreet KaurRajyashri Goody’s Is the water chavdar? explores the relationship between water and caste with a spirit of of defiance.

25 Oct 2022 | Review

Blurring Boundaries, Revealing Patterns
Nadia NooreyezdanAyesha Sultana’s latest show, Making Visible, offers a quiet interrogation of form and space across different mediums.

25 Oct 2022 | Review

Infinity: Continuity Interwoven
Chitra MaheshA review of the recent show in Chennai titled Infinity: Continuity Interwoven, in which artists present a synthesis of traditional handicrafts and contemporary aesthetics.

25 Oct 2022 | Review

World Mother at Central Park
Gayatri SinhaAn encounter with Bharti Kher’s 'Ancestor', a large public sculpture installed and unveiled at the southeast entrance to New York’s Central Park, September 2022.

27 Sep 2022 | Essay

Lyon Biennale 2022
Virginia WhilesA dense show of experimental artworks, the 16th Lyon Biennale reveals a fascinating story of inter-cultural relevance. Virginia Whiles' review with an Asia focus.

27 Sep 2022 | Review

Resistance of the Everyday Kind
Artist Orijit Sen speaks with Srinivas Aditya Mopidevi about satire and resistance over time and how new avenues of circulation such as Instagram have altered his approach to art making.

26 Sep 2022 | Interview

Comics, Cartoons and the Politics of Censorship in Digital India
Debanjana NayekGranting a substantial amount of liberty to cartoonists to create and share their work with a large audience, digital viewership also generates new forms of censorship and bullying.

26 Sep 2022 | Essay

Les Rencontres de la Photographie, Arles 2022
Virginia WhilesFrom a wealth of ideas and images - on awarded entries, photo books, ecology and the female avante garde - Virginia Whiles presents a sweeping overview.

23 Aug 2022 | Review

Shahidul Alam: Singed but not Burnt
Ankan KaziThe exhibition which covers four decades of Shahidul Alam’s career demonstrates how the photographer-activist’s body of work has produced new conditions of visibility for Bangladesh.

23 Aug 2022 | Review

Unearthing histories - a critical engagement with the archive
Zahra AmiruddinEvent, Memory, Metaphor ongoing at Tarq, lingers between political and personal narratives that influence the act of remembering.

23 Aug 2022 | Review

CC Shorts: Three Group Exhibitions in Delhi
Mallika VisvanathanThe month of August in Delhi saw three group exhibitions that sought to express and explore the diverse personal and political ethos of the participating artists.

23 Aug 2022 | Review

Current and Future Imprints in Jaipur’s Textile Landscape
Mrinalini VasudevanOn the hand-block printing industry that has grown around Jaipur, the problems that plague the artisans and recent government and private initiatives working towards its revival and preservation.

23 May 2022

Walking with the Waves
Atul Dodiya speaks to Gayatri Sinha about his watercolours on display at the Kiran Nadar Museum of Art, which reveal his responses to the pandemic and his views on asceticism, nature and art history.

25 Apr 2022 | Interview

In Conversation with Rajesh Vora and Keith Wallace
Photographer Rajesh Vora and curator Keith Wallace on the show 'Everyday Monuments' at Surrey Art Gallery, Canada, which maps the phenomenon of sculpted water tanks on the roofs of Punjabi households.

25 Apr 2022 | Interview

CC Shorts | December 2019
Capsule reviews.

29 Nov 2019 | Review

CC shorts
Exhibition reviews

09 Jan 2019

Modern Love
The Barbican’s Modern Couples: Art, Intimacy and the Avant-garde parallels modern art with modern love. A review by Kathryn Lloyd.

27 Nov 2018

The Visual Economy of Picture Postcards
Amrita Gupta Singh on the visual and literary aspects of the turn of the 20^th century postcards in the exhibition Paper Jewels: Postcards from the Raj at the Bhau Daji Lad Museum, Mumbai.

25 Sep 2018

Commentary
On the recent arrest and detention of Shahidul Alam in Dhaka. Responses by artists, and an appeal by SAHMAT.

09 Aug 2018

Graphic Testimonies
In the wake of the recent release of the second volume of First Hand: Graphic Narratives from India, John Xaviers traces the history of graphic non-fiction as an emerging genre in India.

26 Jul 2018

Joining the dots
Meera Menezes explores Dreamtime and other myths in the art of Australia’s indigenous artists at NGMA, Delhi.

17 Jul 2018

Admitting the Popular
Paula SenguptaAn exhibition in Kolkata brings to the haloed portals of the Victoria Memorial Hall the microcosmos of printmaking in Chitpur with the exhibition 19th Century Swadeshi Art in Bengal.

23 May 2018 | Review

Many Visions, Many Versions: Art from Indigenous Communities in India
Book review by Shreya Chaudhuri.

15 May 2018

Between the Mundane and the Monumental
“The Baroda Narrative Style” reflects two artists Bhupen Khakhar and Nataraj Sharma whose paintings make a case for the subaltern. Georgina Maddox reviews the shows at Swaraj Art Archive and VAG.

25 Apr 2018

Class Crisis
Recent events at the School of Arts and Aesthetics reflects the shrinking space for liberal education in India. By Amrita Chakravarty

10 Apr 2018

Colour-stills of an Alternate Modernism
Nadia Nooreyezdan reviews the ongoing retrospective of Raghubir Singh’s work at The Met Breuer, New York.

21 Nov 2017

Arc, Silt, Dive
"Your work offers us a different way to relate to time: by historicizing but in a way that refuses containment by history." Sheba Chhachhi in conversation with Lata Mani on the subject of her book.

25 Oct 2017

Review
A new book on the Baroda Royal art collection and institutions foregrounds notions of individual agency as lying at the heart of an indigenous modernity, writes Parul Dave Mukherji.

11 Oct 2017

Review
In Laura El-Tantawy's exhibition In the Shadow of the Pyramids, the personal is the political as history intersects with memory. A review by Suryanandini Narain.

26 Sep 2017

FABRIK - On the Circulation of Data, Goods and People
Deepika Sorabjee writes on the efficacy of the essay-film as a travelling art form in her review of the post-Venice after-lives of FABRIK.

23 Aug 2017

An Archive of Memories/Memories of the Archive
Remembering Vivan Sundaram's site-specific installation at the Victoria Memorial, twenty years on - a review of an anthology of essays on Sundaram's History Project by Amrita Chakravarty.

23 Aug 2017

In Perspective: Modernism and Regionalism
Shreya ChaudhuriA review of Group 1890: India’s Indigenous Modernism & The Japan Foundation Asia Center Art Studies 03

22 Jun 2017

See-through exhibition of seven exhibitions
Through the metaphor of semi-transparency, John Xaviers reviews Interpositions: Interplaying the Repository curated by Roobina Karode at KNMA.

23 May 2017

Exceeding the private, entering the public
Paula SenguptaSeen through the early 20^th century works of four printmakers of Bengal at Graphic Prints, Galerie 88, Kolkata.

23 May 2017 | Review

T J Demos speaks to Gayatri Sinha
On the idea of the global and the apocalypse of migration in a shrinking world.

12 Apr 2017

A CC Report
The appointment of Anita Dube as curator of the fourth edition of the Kochi Muziris Biennale comes at a critical juncture in the history of the KMB.

04 Apr 2017

Letter from India
Virginia Whiles"The art observed on my recent journey throughout India reflects the polarisation of a country split economically and politically."

22 Mar 2017

Where there is no archive
S A KrishnanSarover Zaidi establishes a connection between Azadeh Akhlagi and Gauri Gill in the event of political trauma and the condition of the 'witness'.

21 Mar 2017

Learning from John Berger
Recalling a 1969 meeting with John Berger (1926-2017), Geeta Kapur commits a personal obituary to the influential Marxist art critic, his writing and his enduring relevance.

19 Jan 2017

1 among 100
One among the hundred artists at the Shanghai biennale curated by Raqs Media Collective, Verina Gfader presents a poetic and personal view.

15 Dec 2016

Thinking Tantra
Virginia Whiles who wrote on Tantric imagery first in 1971 visits Thinking Tantra at the Drawing Room, London, and analyses the different streams in this abstruse mode of abstraction.

15 Dec 2016

Vasudeo Santu Gaitonde: Sonata of Solitude
Bodhana and Raza Foundation collaborate to produce an in-depth new study on the practice of the early modernist. Shreya Chaudhuri reviews the volume.

22 Nov 2016

Experiencing the Experience House
Charu Maithani describes her immersive and interactive encounter with the works at Experience House at Khoj Studios, New Delhi.

18 Nov 2016

Allured
Shuddhabrata Sengupta's expansive open letter to an early boyhood influence, the digital artist, Ashok Ahuja. At Gallery Espace, October 8, 2016

24 Oct 2016

'Husain's Raj Visions of Empire and Nation' by Sumathi Ramaswamy
Shreya Chaudhuri18 Aug 2016 | Review

Passages
Shanay Jhaveri reflects on film making in South Asia through the prism of Passages, his curatorial venture at the Dhaka Art Summit.

16 Jun 2016

Sites of Intervention in a City's Cultural Fabric: Public and Socially Engaged Art in Kolkata
Paula Sengupta in her essay, examines new kinds of engagement in art, which reflect on Kolkata's past and present histories.

21 Apr 2016

An art movement to retain Venkatappa Art Gallery, the democratic public art space
The proposed takeover of Venkatappa Art Gallery by private interests and the rise of VAG Forum an artists’ protest initiative. The piece is contributed by Surekha, Sheela Gowda, Pushpamala N, Suresh Jayaram, Ayisha Abraham and others.

02 Apr 2016

Ecologising the ‘Human’
Ravi Agarwal photographer and director of Toxics Link, reflects on the Yamuna and the slew of issues that arise in the context of the Art of Living event on the river’s flood plains.

02 Apr 2016