Ayisha Abraham's Straight 8
by Lalitha Gopalan
At stake in this article is the very act of writing on expanded cinema. Provoked by Gene Youngblood's canonical offering of fluid state of media as it moved out of the exclusive domain of celluloid to a range of practices that include video, computer and so on, I look at practices in India that exhibitread more
A Letter to a Friend
by Ayisha Abraham
From the exhibition catalogue published by Eicher Gallery (1998).
How are you? You have asked me repeatedly for an explanation of my work. Here it is in small fragments and I do not promise that it is all coherent. I feel an overwhelming sense of relief at the opportunity given toread more