Ayisha Abraham's Straight 8

by  Lalitha Gopalan

At stake in this article is the very act of writing on expanded cinema. Provoked by Gene Youngblood's canonical offering of fluid state of media as it moved out of the exclusive domain of celluloid to a range of practices that include video, computer and so on, I look at practices in India that exhibit

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A Letter to a Friend

by  Ayisha Abraham

From the exhibition catalogue published by Eicher Gallery (1998).

Dear N.,

How are you? You have asked me repeatedly for an ex­planation of my work. Here it is in small fragments and I do not promise that it is all coherent. I feel an overwhelming sense of relief at the opportunity given to

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