Indian Sculpture
by Devi Prasad Roy Chowdhury Published in Rooplekha, Vol.XXI, No.1, 1949-50, 11-16
The fundamental theme of Indian sculpture was religion which often sought relief in elementary sensualism. The tendency was instinctive on account of excitable forms in which were embodied contemporary constructions of the deities. The lines which
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by Devi Prasad Roy Chowdhury The objective of the Conference is to unite artists in a congenial atmosphere and accommodate their convictions so long as they help the cause in which we are vitally interested. I think I ought to enlighten you at the outset that I have no intention to drag my address to various aspects of technical
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