That brief thing called modern

Modernism is a contentious issue in Indian art, and becomes even more so when seen in the light of what took place before it. In its process of becoming modern Indian at has emerged as an unfixed category as varied as its percipients. ‘Hundred Years: From the National Gallery of Modern Art Collection,’

Rudi Von Leyden Remembers

Published in The Times of India, 1979, p. 19

The erstwhile art critic of The Times of India, presently doing research on playing cards in India, talks to Yashodhara Dalmia

Those first few moments with Rudi Von Leyden were puzzling. A man much known for his support to Indian artists during