Curators

Annapurna Garimella

Arushi Vats

Beth Citron

Profile
The Home and the World by Beth Citron

Christiane Brosius

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"Catching up" to the World: Positioning the India Art Fair by Christiane Brosius

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Neighbours by Indrapramit Roy

Jens Hoffman

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Art After the End of Art by Jens Hoffman

John Xaviers

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The Vanishing Pond near the Field: A Curatorial Response to the inaugural MFA display of Shiv Nadar University by John Xaviers

Johny ML

Kaiwan Mehta

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And/Or/Both: Kaiwan Mehta's World, But No Home by Rohan Shivkumar

Kanchi Mehta

Keith Wallace

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What China? by Keith Wallace

Leonhard Emmerling and Kanika Kuthiala

Mallika Visvanathan

Maya Kóvskaya

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Art and Ecologies on the Edge by Maya Kóvskaya

Meera Menezes

Nada Raza

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Nada Raza in conversation with Gayatri Sinha by Gayatri Sinha

Naman Ahuja

Natasha Ginwala

Nikhil Chopra

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Placing “The Body at the Centre”: Interview with Nikhil Chopra by Critical Collective

Okwui Enwezor

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Okwui Enwezor (1963-2019) by Various

Paula Sengupta

Premjish Achari

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Back to the Future by Amrita Chakravarty

Raqs Media Collective

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Fragile Hands by Shaheen Merali

Shanay Jhaveri

Shubigi Rao

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Kochi Biennale in the Time of Covid-19 by Critical Collective

Suresh Jayaram

Tarini Malik

Profile
Tarini Malik for Critical Collective interviews Isaac Julien on the occasion of his exhibition of Playtime: Kapital at Museo Universitario Arte Contemporáneo, Mexico City, curated by Cuahatemoc Medina and Amanda de la Garza (February 6 - July 31, 2016) by Tarini Malik

Veeranganakumari Solanki

Virginia Whiles

Zahra Amiruddin

Profile
Echoes of Sound and Silence by Zahra Amiruddin

Essay

The Poetics of Labour by Adip Dutta
A Cosmopolitan Imagination in Raqs Media Collective's Cavalcade by Amreeta Das
Incubating Practice: Five Million Incidents by Amrita Chakravarty
Around the world and back (home) to India: A story of 228 objects by Arshiya Lokhandwala
Review: Modular Waltz by Arundhati Bhan
Shaktirupa: Affective Power of Manuscripts and Miniatures by Arundhati Bhan
A Review of Postcards from Home by Bharati Chaturvedi
crossing generations: diVERGE by Chaitanya Sambrani
Infinity: Continuity Interwoven by Chitra Mahesh
CC Interviews Kiran Nadar by Critical Collective
India Art Fair 2018 by Critical Collective
A view of the India Art Fair 2019 by Critical Collective
Interview with Student Biennale curators Archana Hande and Vasudha Thozur by Critical Collective
A World of Difference by Damini Kulkarni
Form and Ritual: Arti Kadam’s Sculptural Exploration of Everyday Grace by Deeksha Nath
Worlds at War: Two Artists set the Stage by Deepika Sorabjee
Sexy Steel and Hashtag Capitalism by Diva Gujral
In conversation with Richard Blurton by Gayatri Sinha
Transmissions: Art in Eastern Europe and Latin America 1960-1980, at MoMA by Gayatri Sinha
Material Contexts by Gayatri Sinha
London Diary by Gayatri Sinha
Orlando in Soho by Gayatri Sinha
Silent Seasons: A Review by Gayatri Sinha
A World to Be at Home In by Gayatri Sinha
The Sixth Edition of the Kochi Muziris Biennale: A Rising Tide by Gayatri Sinha
Curating Across Agonistic Worlds by Geeta Kapur
‘You Can’t Please All’ at Tate Modern by Geeta Kapur
Collapsing Distances by Gitanjali Dang
The Poet Curator Remembering the 'Lone Wolf' Artist by John Xaviers
Earth Memory: A Collective Identity of Creation by Kristine Michael
Yeh Jo Des Hai Tera: Shilpa Gupta at Galleria Continua by Kush Jariwala
Threading a fine line by Meera Menezes
In Letter and Spirit by Meera Menezes
Ajanta to London, Saris to Skirts: Tradition and Modernity in the Fabric of India by Mehreen Chida-Razvi
Interweaving the Historical and Contemporary in Kallol Datta’s Fabrics by Mekhala Singhal
The World and Its Viewer in Anju Dodiya and Nicola Durvasula’s Works by Mekhala Singhal
In Search of New Horizons: Muhanned Cader's Island in the Sky by Mrinalini Vasudevan
Probir Gupta's Memorial to Migrant Lives by Mrinalini Vasudevan
Revisiting Mrinal Sen’s Chorus of Street Voices by Mrinalini Vasudevan
Protocols and Pigeonholes by Mustafa Khanbhai
Blurring Boundaries, Revealing Patterns by Nadia Nooreyezdan
Invisible Threads by Nadia Nooreyezdan
Crisis in the Critical Zone by Namrata Ghosh
Review: Material as Metaphors by Namrata Ghosh
Artists and the Weather Station by Namrata Ghosh and Radhika Sharma
In Pallavi Paul's Gaze, Love and Breath Make the World Go Round by Neerja Deodhar
From Torso to Memorial by Neerja Deodhar
Cabinets of Colonized Curiosities by Ornella D'Souza
Reviews of Exhibitions at Art Alive, Vadehra and Apparao Galleries by Ornella D'Souza
CC Shorts: Of Letters and Language by Ornella D'Souza
A-Gender of Kochi Biennale 2018 by Parul Dave Mukherji
Reimagining the Mahad Satyagraha in the Age of Google Maps by Pawanpreet Kaur
Portraits by Premjish Achari
Moments of Intersectionality at India Design 2025 by Radhika Sharma
Re-contextualizing ‘Contextual Modernism’ by Rahul Dev
Frozen in Time: Late-Nineteenth and Early-Twentieth Century Photographs of Calcutta and its Neighboring Areas by Ranu Roychoudhuri
Examining the relation between a city as site and "an interventionist exhibition": Manifesta 11 by Rattanamol Singh Johal
Prosthetics Over Paintings by Rhea Tuli
Ashok Ahuja Reprogrammes the Matrix by Sachin Sharma
Gathering Poetic and Protesting Voices by Sachin Sharma
“Aesthetic Bind” by Saloni Mathur
Thresholds of Becoming: 16 Artists Try To Step Across by Sandhya Bordewekar
Breaking Ground: Experiments with the Elemental Material by Sania Galundia
Transformative Pedagogies at the J.J. School of Art by Sarang Sharma
The Anxious Smile in Vicky Roy’s Photographs by Shankar Tripathi
Paradise Regained with V.N. Jyothi Basu by Shankar Tripathi
Stories of Resistance from the Margins: Bani Abidi’s The Song by Shaon Basu
Review: (Un)layering the Future Past of South Asia by Shasti Lowton
What is an Object? Jesal Thacker’s Lost and Found at Gallery Espace by Shivangi Jalan
House of Wonders by Shivani Kasumra
Memory and Identity: Indian Artists Abroad by Shreya Chaudhuri
First International Print Biennale: Of discontinuity and disjuncture by Shreya Chaudhuri
My Colour on Your Plate by Shreya Chaudhuri
Winter 2025 Exhibitions at Experimenter, Kolkata by Sneha Biswas
Kochi Student Biennale, 2022 by Sohorpem Kazingmei
Makrana White by Sumesh Sharma
Revisiting Another Master: Ram Singh Urveti by Umara Zainab
The Spectacular Arts Festival: Between Play and Polycrisis by Uttaran Das Gupta
A letter from the artists: Defending the Radical Vision of documenta by Various
Black Artists and Modernism in UK Museums by Virginia Whiles
Breathless in Venice by Virginia Whiles
"We are all in this mess together" by Virginia Whiles
Reality/Chen, Simply Being/Tse-jan, Cosmic Spirit /Ch’i: Chinese Connection by Virginia Whiles
Ai Weiwei: The Liberty of Doubt by Virginia Whiles
A Century of the Artist’s Studio: 1920-2020 by Virginia Whiles
Review of Someone is getting rich by Virginia Whiles
A Place in Time: Conversations with the curator of the 2016 Kochi-Muziris Biennale by Vyjayanthi Rao Venuturupalli
Unearthing histories - a critical engagement with the archive by Zahra Amiruddin
Manisha Parekh: A River Inside (2020) by Zeenat Nagree
On curating and critical writing since the 1990's: a conversation between Gayatri Sinha and Parul Dave Mukherji, supported by Art Matters, Raza Foundation by
Migration Borders and Global Capital by
Colomboscope: Language is Migrant by
Joining the dots by
Modern Love by
In Conversation with Rajesh Vora and Keith Wallace by

CURATORS & EXHIBITIONS

Virginia Whiles

Dr Virginia Whiles is an art historian, critic and curator. She writes regularly for Art Monthly (UK).

EXHIBITIONS

NOTICEBOARD

Naeem Mohaiemen Returns to Bangladesh’s Unfulfilled Dreams of Socialism by Shan Bhattacharya
Sculptural Contemplations on Mortality: A Posthumous Ode to Latika Katt by Ornella D'Souza
What Time Is It in Divya Singh’s Attic? by Shivangi Jalan
Testimony in Ash: Kulpreet Singh and the Politics of the Burning Field by Manmeet K. Walia
Traces of Collapse Between Ruin and Repair by Sneha Biswas
RECOMMENDED

Thinking Tantra by Virginia Whiles
Thinking Tantra by Virginia Whiles
Letter from India by Virginia Whiles
Letter from India by Virginia Whiles
57th Venice Biennale: Same but different by Virginia Whiles

Virginia Whiles

NOTICEBOARD

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