Geeta Kapur, is a Delhi-based critic and curator. Her essays are widely anthologized and her books include Contemporary Indian Artists (1978); When Was Modernism: essays on contemporary cultural practice in India (2000); forthcoming, Critical Inscriptions in Contemporary Art: Navigating Practice. She was founder-editor, Journal of Arts & Ideas; member advisory council, Third Text; she is Trustee/ advisory editor, Marg; and editorial advisor ArtMargins. Curatorial projects include: ‘Dispossession’, Johannesburg Biennale (1995); ‘Bombay/Mumbai’, Century City, Tate Modern (co-curation, 2001); ‘subTerrain’, House of World Cultures, Berlin (2003); ‘Aesthetic Bind’, Chemould, Mumbai (2013-14). She was Jury member, Venice, Dakar and Sharjah Biennales; member, Asian Art Council, Guggenheim Museum; advisory member, Asian Art Archive, Hong Kong. She lectures internationally and has held Visiting Fellowships at the Institute of Advanced Study, Shimla; Nehru Memorial Museum and Library, Delhi; Clare Hall, University of Cambridge; Jawaharlal Nehru University, Delhi. Geeta Kapur was awarded the Padmashri in 2009.
Testimony in Ash: Kulpreet Singh and the Politics of the Burning Field by Manmeet K. Walia
Traces of Collapse Between Ruin and Repair by Sneha Biswas
The New Language of Stitch by Ornella D'Souza
Inherited, Worshipped, Disputed: Whose Land Is It Anyway? by Neerja Deodhar
The Dig and the Weight We Place on Non-Specialist History by Arundhati Bhan
Aesthetic Bind: Cabinet Closet Wunderkammer by Geeta Kapur
Aesthetic Bind: Citizen Artist: forms of address by Geeta Kapur
Aesthetic Bind: Floating World by Geeta Kapur