In 1974 we formed the New Group and had four shows, two in Delhi and two in Bombay before we disbanded. The members were Amitava Das, Mona Rai, Meena Dhanda, Rajni Mehta, the sculptor Pradeep Saxena and Jai Zharotia. After he returned from England, Manjit Bawa also joined us and we showed together in Jehangir Art Gallery. He and I were the only two painters in the group. In the 70s, for our exhibitions at the Lalit Kala, we used to sit in the gallery all day, but hardly anyone came. The spirit of the artists however was strong. There was a very strong sense of community. After four shows we broke up.
At that time in the 70s Garhi was an important centre, and some of the most important discussions took place there. Once a month every Monday someone would cook, it could even be Swami or Krishen. Once Maurice Graves came there. Francoise Guillot who was married to Jonas Salk at that time came and showed us her work. Another group called The Unknown came up at this time, with Arpita and Paramjit Singh and Rajendra Dhawan. Art was looked at in studios, and the discussions around it could be passionate. Manu Parekh's house in Jangpura, or the artist’s homes in Nizamuddin were the main residential areas where we all collected. Richard Bartholomew took all the photos before the exhibitions. At that time the artists or galleries used to produce two page catalogues, but Richard used to make very nice folders.
During that time Coffee House in Palika Kendra was also a kind of movement which attracted intellectuals every evening. IK Gujral, Raghu Rai and a host of other intellectuals used to gather... we paid 25 paise for coffee and 25 paise for palak vada. Rajendra Dhawan had just returned from Paris, his palette was very subdued, very East European. At that time J Swaminathan, Ambadas and Himmat Shah had a great show and then a party at J Swaminathan's home in WEA Karol Bagh. There was a lot of generosity and bonhomie. Another important site was Studio 26 in Gole Market. It belonged to BC Sanyal. Then Ram Kumar worked there and finally Jogen Chowdhury took over. At one point Jatin Das, FN Souza etc. wanted to start an artist’s forum. It was initiated by FN Souza and was meant to be called The White Flag Revolution. It was more about the fact that paints and materials were difficult to obtain, but nothing came of it.
'Renovations' at Jallianwala Bagh
In Conversation with Jitish Kallat by Critical Collective
The future of India’s past by Bhavya Sah and Gautami Raju
Threading a fine line by Meera Menezes
Ebstorf in Baroda: The Mappae Mundi of Gulammohammed Sheikh by Alfred Hiatt
“Re”thinking masculinity: The evolution of the Bollywood hero by Satarupa Dasgupta
From Mother India to femme fatale: The evolution of the rural woman in Indian cinema by Ramna Walia
The Penumbral OTT Hero by Silpa Mukherjee
Tur(banned) Masculinities: Terrorists, Sikhs, and trauma in Indian cinema by Harleen Singh
The Art of Discovery by Ashok Vajpeyi