RECENT


NOTICEBOARD

Our time for a future caring

Roobina Karode, curator of the India pavilion at the Venice Biennale speaks to Gayatri Sinha

15 Apr 2019

An Indian photography capital?

CC speaks with Pushpamala N., curator of the recently concluded Chennai Photo Biennale

02 Apr 2019

A-Gender of Kochi Biennale 2018

A review by Parul Dave Mukherji

25 Mar 2019

Okwui Enwezor (1963-2019)

Three artists' tribute: Raqs Media Collective, Ravi Agarwal and Amar Kanwar

20 Mar 2019

The Desert of the Anthropocene

Ravi Agarwal talks to CC about his ongoing project The Desert of the Anthropocene and its latest iteration at the India Art Fair, 2019.

05 Mar 2019

Submergence: In the midst of here and there
by Parul Singh
A review of Arpita Singh's recent retrospective at KNMA, Delhi.

04 Mar 2019

Drishyakala: Visualising the Identity of a Nation

Girinandini Singh reviews the expansive collection of artworks tracing the development of Indian art.

27 Feb 2019


ARCHIVES

The Bombay Art Scene in the late forties
by Jag Mohan
The essay traces the burgeoning art scene of this period through personal and shared histories. (1979)

A New Order to the Image of Kali
by Kumar Sinha
Kumar Sinha contests the fixity of Kali's iconography at the turn of the twentieth century. (1935)

The Call of the East: The Calcutta School
by Leandre Vaillat, trans by Pramila Chaudhuri
The essay recalls the early traces of an art movement in Bengal, its subsequent struggles and inspirations. (1921)

Birth of Lalit Kala
by Mulk Raj Anand
On the inspirations behind the initiation of the institution's journal. (1962)

The Artistic Awakening of India
by M. Hollebecque, trans. by Pramila Chaudhury
On the aesthetic language and inspirations of the Bengal School. (1918)

Culture and Scholarship
by E. J. Thomas
Thomas examines the underlying strands of Hindu philosophy that shapes Indian culture. (1935)

Indian Painting, The modern phase
by Krishna Chaitanya
The writer provides an account of the revivalist, the radical and the transitional strands in the history of Indian art. (1955)

Trends in recent sculpture
by Jaya Appasamy
On the emerging influences and styles in modernist sculptural art. (1973)


art history project


artists

F.N. Souza-The works of Forties
by Vinod Kumar
On Souza's stylistic and creative tendencies in the 1940s. (1985)

Destroying the destroyed
by Shaheen Merali
Inside the tenacious symbols created by artist T.V.Santhosh in the exhibition "Burning Flags". (2010)

I Want to Seduce Them with My Line
by Susan S. Bean
Laxma Goud's drawings over the years are evocative of intimacy, writes Susan S Bean. (2012)

P.T. Reddy - Voyage and Vision
by K.L Kaul
K.L.Kaul examines the early influences of the artist and delves into the stylistic nuances of portraiture. (1979)

Gogi Saroj Pal
by Vinod Kumar
The author examines the artist's oeuvre spanning over two decades. (1985)

Painting is the only thing that is there for Ram Kumar
by Soumitra Das
On the times and inspirations that formed a larger part of the modernist's artistic choices. (2014)

Ramkinker Baij
by Sankho Chaudhuri
"Ramkinker remained somewhat of an alien." On the sculptor and his life at Santiniketan. (1990)


AESTHETICS THEORY

Transcendence for the Siri-ocene
by 64/1
The authors outline a philosophy to recuperate Art for the future.

The Aesthetic Concept of Rasa
by K S Ramaswamy Shastri
The writer provides an account of the rasa theory of aesthetic emotion. (1928)

The Three Forms of Art
by Abanindranath Tagore
Abanindranath Tagore contrasts the arid naturalism of modern European art with the spiritualistic bent of ancient Greek, Japanese and Indian art. (1907)

Treatment of Riti and Guna in the Dhvanyaloka
by Prakas Chandra Lahiri
The essay presents the critical interventions of the Dhvani theorists with respect to concepts of riti and guna in rasa theory. (1935)


CINEMA

What Price this Stardom?

A veteran at the age of 18, Meena Kumari laments her lost childhood. (1952)

Cinematic Images of Indian Women
by Krishna Chaudhuri
The writer maps the construction of feminine archetypes in Indian cinema. (1983)

Faces that Flash a Shining Moment
by Suraiya
A heroine's reminiscences of her co-stars and the evolution of the Bombay cinema hero. (1952)

Star Profiles

A compilation of archival star profiles resurrects the early female stars of cinema. (1932-33)


ON GENDER

When the towel drops: Sexuality, Censorship and Cinema
by Brinda Bose
On censorship in Indian cinematic culture through the play of sexual codes. (2008)

Lustful Women, Elusive Lovers: Identifying Males as Objects of Female Desire[1]
by Prem Chowdhry
On the construction of the image of a "lustful woman" in the oral tradition of rural north India. (2001)

Constructing-Contesting Masculinities: Trends in South Asian Cinema
by Gita Rajan
Rajan engages with questions about masculinities in popular South Asian cinema. (2006)

Launda Dancers: The Dancing Boys of India
by Rohit K Dasgupta
The writer examines the functioning of queer identities in the institution of the regional launda dance. (2013)

Pliant and Compliant: Colonial Indian Art and Postcolonial Cinema
by Gita Rajan
Gita Rajan explores how "woman is constructed but aborted from functioning as a sovereign subject in non-western contexts." (2012)


CURATING SOUTH ASIA

Kal, Aaj aur Kal

Quddus Mirza writes about museum initiatives in Pakistan over the last seven decades. (2010)

Breaking away from the past
by Quddus Mirza
Quddus Mirza on the emerging trends in the practices of Pakistani artists. (1998)

Borderlands

Amit S. Rai cogitates on the possibility of art recuperating a banal Indo-Pak dialectic as he responds to a show featuring Pakistani works at the Devi Art Foundation. (2010)

The Neighbourhood Project
by Deeksha Nath
On the shows by L. N. Tallur, Bangladeshi artist Mahbudur Rahman and four Sri Lankan artists involved in The One Year Drawing Project at the Devi Art Foundation.

Curating as site: the case of South Asia

CC interviews Iftikhar Dadi, art historian, artist and co-curator of the landmark exhibition Lines of Control (2012).

Shared Histories: Collective Exhibitions
by Shreya Chaudhuri
Shreya Chaudhuri examines some of the leading trajectories in the recent phenomenon of curating in South Asia.


Artists Groups and Collectives

How to Feel a Leak?
by CAMP
CAMP elaborates on their work, THE RADIA TAP(E)S as part of The Ungovernables, New Museum, New York Triennial (2012).

CONA: Points of Reflection
by Hemali Bhuta
Hemali Bhuta on the founding of CONA as a pedagogical structure for artists.

New Group: In conversation with Amitava Das and Mona Rai at New Delhi, April 23, 2014

Amitava Das and Mona talk about the formation of the New Group in 1974.

The Calcutta Group - Its Aims and Achievements
by Prodosh Das Gupta
Prodosh Das Gupta highlights the premise of founding the Calcutta Group in 1940.

Indian Society of Oriental Art
by James H. Cousins


Artists Conversations

Facing India
by Uta Ruhkamp
An interview with Reena Saini Kallat against the backdrop of her recent exhibition in Germany. (2017)

Talking to Padamsee
by Eunice de Souza
Regarded as a "theorist of painting," Akbar Padamsee discusses his practice as the cyclical movement between order and chaos. (1972)

Shreyas Karle - Interview
by Alessandra Ferrini
Shreyas Karle talks about his practice, research and pedagogical learning. (2013)

Droboniyo’s Precipitate
by Sabih Ahmed
Sabih Ahmed in conversation with Abhishek Hazra on the latter's exhibition Droboniyo's Tippani Room. (2018)

A touch of the primitive
by Eunice de Souza
Bhupen Khakhar in conversation with Eunice de Souza. (1971)

The Medium and its Message
by Eunice de Souza
Vivan Sundaram talks about painting in the time of cinema, in this interview with Eunice de Souza. (1979)

Meeting Ground
by Anjum Singh & Manisha Parekh
On the heels of recent solo shows, Anjum Singh and Manisha Parekh discuss their early influences and praxis. (2000)


Curators and Exhibitions

Riots: Slow Cancellation of the Future
by Natasha Ginwala
Curator Natasha Ginwala on the works that ""sense" and chronicle recent riots and uprisings." (2018)

The Body Redux: A Curator’s Post-script on Exhibiting India
by Naman Ahuja
On the continuum between classical and contemporary art and multiple strands of Indian art history in the exhibition.

crossing generations: diVERGE
by Chaitanya Sambrani
The essay offers perspective on the exhibition curated by Geeta Kapur and Chaitanya Sambrani.

After Dark
by Gayatri Sinha
An exhibition curated on the axis of a globalising India and the artist's response to violence in Indian polity.

“Aesthetic Bind”
by Saloni Mathur
On the series of five exhibitions curated by Geeta Kapur to mark the fiftieth anniversary of Gallery Chemould. (2014)

Water
by Gayatri Sinha


Lens Based Practices

My Father’s Lenses: The Album of a Calcutta Photographer
by Debjani Sengupta
The author traces her father Ashutosh Sengupta's journey as an avid photographer. (2016)

Clarence Comyn Taylor (1830-79) - The First Photographer in Udaipur and Nepal
by J.P Losty
The writer provides a visual and historical account of the colonised regions in the 19th century. (2013)

Darkling|Listen-Photography freed from the limitations of sight
by Aveek Sen
In the photography of visually impaired lensmen, the camera is finally able to capture the truth, writes Sen. (2012)

Society and the scalpel of portraiture
by Peter Nagy
Peter Nagy reviews Dayanita Singh's Family Portraits series on the Parsis of Bombay. (2002)

Aesthetic Bodies: Posing on Sites of Violence in India, 1857-1900
by Sean Willcock
On the figuration of Indian bodies in compositions of colonial war photography. (2015)

Photographer’s Dilemma - Making stylistic choices
by Malavika Karlekar
On the early development of Indian photography towards both realist and artistic modes. (2012)

The Tresidder Album:A Case Study of a Private Ethnography
by Rashmi Viswanathan
On the emergence of the photograph as "ethnological register" in a case study of the Tresidder Album. (2016)