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Sahmat: Moments in Collapse
Karbala and Other Symbols-M.F. Husain
Imagining Liminality: The Flux at India’s Cultural Thresholds
Lipstick Stories: ‘Middle-Class’ India Gazes at Itself
A Centenary Tribute to K.G. Subramanyan
Conversations with Three Contemporary South Asian Women Artists
Ameen Sayani (1932-2024): The South Asian Radio Star
Viewing India through the Lens of William Hodges
The Forgotten Saga of Gopal Ghose
When Does Art Become Protest?
Review of
Common Ground: Where Our Truths Meet
CC Shorts: Reviews from Delhi
Third Eye of Shiva and World of Kali: A Review of Mul Mathi
Review of Rhizome: Tracing Ecocultural Identities
Notes from the Desert: Historic Redressal at the 2023 Sharjah Biennial
In Conversation with Sheikha Hoor
New Circuits of Art and Tourism in Kolkata's Durga Puja
Shireen Gandhy on Chemould at 60
Retrospectives on Pablo Picasso and Faith Ringgold at the Musée Picasso
How Does a Language Die? Debates Around Urdu with Javed Akhtar
Brunei Gallery and Mosaic Rooms Exhibition Reviews from London
Sharjah Revisited: The Soft State amidst the Hard Edges of the Middle East
Interrogating New Trends in Mainstream Stand-Up Comedy in India
Review of DAG’s The Babu & The Bazaar
The Sheherwali Jains of Murshidabad
The Rain Within
: Indigenous Art on Urban Walls
Prussian Blue
: A Prismatic Parade of a Modern Pigment
The Launch of Art Mumbai
The Many Faces of
Rocketganj
India’s First Art, Architecture and Design Biennale
CC Shorts: Reviews
Marking Time: Two exhibitions at Bikaner House
Exhibition Reviews
What’s Going Wrong with Thanjavur’s Chola and Maratha Legacies?
Resistance of the Everyday Kind
Drawing Dissent: The Evolution of Editorial Cartooning in India
Media / Materiality / Comics: Conversations with Three Graphic Artists
Comics, Cartoons and the Politics of Censorship in Digital India
Current and Future Imprints in Jaipur’s Textile Landscape
CC Shorts | December 2019
Commentary
Graphic Testimonies
Connecting Threads: Textiles in Contemporary Practice
Crafting Cultures at Good Earth: An Interview with Anita Lal
New India’s New Delhi?
Politics and Protest at Bikaner House
Indian Art: 2010-2020
Notes on Covid-19
Nila House - A Vision in Indigo
The future of India’s past
On Gandhi in the Gallery: The Art of Disobedience
Abanindranath Tagore and the creation of a Regional Avant-Garde
DOUBLE ACT
Cinema and the "Art" of Archiving
A Fragile Inheritance: Radical Stakes in Contemporary Indian Art
Why Statues Matter: The Changing Landscape of Calcutta’s Colonial and Postcolonial Statuary
A Critique of Ananda Coomaraswamy’s Presuppositions for a Philosophy of Indian Art
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